Dates and Tickets
Wednesday, June 1, 2022 19:30 PM
Wednesday, June 1, 2022 19:30 PM
Antonín Dvořák (1841 - 1904)
Piano Trio No.4, Op.90 "Dumky"
Pyotr Ilyich Tchaikovsky (1840 - 1893)
Piano Trio, Op.50
Other Performances From These Artists
About Ehnes, Tsang & Neiman
James Ehnes has established himself as one of the most sought-after violinists on the international stage. Gifted with a rare combination of stunning virtuosity, serene lyricism and an unfaltering musicality, Ehnes is a favourite guest of many of the world’s most respected conductors including Ashkenazy, Alsop, Sir Andrew Davis, Denève, Elder, Ivan Fischer, Gardner, Paavo Järvi, Mena, Noseda, Robertson and Runnicles. Ehnes’s long list of orchestras includes, amongst others, the Boston, Chicago, London, NHK and Vienna Symphony Orchestras, the Los Angeles, New York, Munich and Czech Philharmonic Orchestras, and the Cleveland, Philadelphia, Philharmonia and DSO Berlin orchestras.
longside his concerto work, James Ehnes maintains a busy recital schedule. He performs regularly at the Wigmore Hall, Carnegie Hall, Symphony Center Chicago, Amsterdam Concertgebouw, Ravinia, Montreux, Chaise-Dieu, the White Nights Festival in St Petersburg, Verbier Festival, Festival de Pâques in Aix, and in 2018 he undertook a recital tour to the Far East, including performances in Hong Kong, Shanghai, Singapore and Kuala Lumpur. As part of the Beethoven celebrations, Ehnes has been invited to perform the complete cycle of Beethoven Sonatas at the Wigmore Hall throughout 2019/20. Elsewhere Ehnes performs the Beethoven Sonatas at Dresden Music Festival, Prague Spring Festival, the Concertgebouw Amsterdam, at Aspen Music Festival (as part of a multi-year residency) and at Bravo Vail Festival during his residency week also including the Violin Concerto and Triple Concerto with the Dallas Symphony Orchestra and Runnicles. In 2016, Ehnes undertook a cross-Canada recital tour, performing in each of the country’s provinces and territories, to celebrate his 40th birthday.
As a chamber musician, he has collaborated with leading artists such as Andsnes, Capucon, Lortie, Lugansky, Yo-Yo Ma, Tamestit, Vogler and Yuja Wang. In 2010, he formally established the Ehnes Quartet, with whom he has performed in Europe at venues including the Wigmore Hall, Auditorium du Louvre in Paris and Théâtre du Jeu de Paume in Aix, amongst others. Ehnes is the Artistic Director of the Seattle Chamber Music Society.
Ehnes has an extensive discography and has won many awards for his recordings, including a Grammy Award (2019) for his live recording of Aaron Jay Kernis’ Violin Concerto with the Seattle Symphony and Ludovic Morlot, and a Gramophone Award for his live recording of the Elgar Concerto with the Philharmonia Orchestra and Sir Andrew Davis. His recording of the Korngold, Barber and Walton violin concertos won a Grammy Award for ‘Best Instrumental Soloist Performance’ and a JUNO award for ‘Best Classical Album of the Year’. His recording of the Paganini Caprices earned him universal praise, with Diapason writing of the disc, “Ehnes confirms the predictions of Erick Friedman, eminent student of Heifetz: ‘there is only one like him born every hundred years’.” Recent releases include sonatas by Beethoven, Debussy, Elgar and Respighi, and concertos by Walton, Britten, Shostakovich, Prokofiev and Strauss, as well as the Beethoven Violin Concerto with the Royal Liverpool Philharmonic Orchestra and Andrew Manze, which was released in October 2017 (Onyx Classics).
Ehnes began violin studies at the age of five, became a protégé of the noted Canadian violinist Francis Chaplin aged nine, and made his orchestra debut with L’Orchestre symphonique de Montréal aged 13. He continued his studies with Sally Thomas at the Meadowmount School of Music and The Juilliard School, winning the Peter Mennin Prize for Outstanding Achievement and Leadership in Music upon his graduation in 1997. He is a Fellow of the Royal Society of Canada and in 2010 was appointed a Member of the Order of Canada. Ehnes was awarded the 2017 Royal Philharmonic Society Award in the Instrumentalist category.
James Ehnes plays the “Marsick” Stradivarius of 1715.
Cellist Bion Tsang has been internationally recognized as one of the outstanding instrumentalists of his generation: among his many honors are an Avery Fisher Career Grant, an MEF Career Grant and the Bronze Medal in the IX International Tchaikovsky Competition. Mr. Tsang earned a Grammy nomination for his performance on the PBS special A Company of Voices: Conspirare in Concert (Harmonia Mundi).
Mr. Tsang has appeared as soloist with such orchestras as the New York, Mexico City, Moscow, Busan and Hong Kong Philharmonic Orchestras, the National, American, Pacific, Delaware and Atlanta Symphony Orchestras, the Saint Paul and Stuttgart Chamber Orchestras, the Louisville Orchestra and the Taiwan National Orchestra. Recent highlights include making his solo debuts at Orchestra Hall in Chicago with Zubin Mehta and the Civic Orchestra of Chicago, at the Hollywood Bowl in Los Angeles with the Hollywood Bowl Orchestra, and at the Esplanade in Boston with the Longwood Symphony Orchestra. He also gave the U.S. premiere of the Enescu Symphonie Concertante, Op. 8 with the American Symphony Orchestra in Avery Fisher Hall and the U.S. premiere of Tan Dun’s Crouching Tiger Concerto for Cello Solo and Chamber Orchestra at Atlanta’s Symphony Hall.
As a chamber musician, Mr. Tsang has collaborated with such artists as violinists Pamela Frank, Jaime Laredo, Cho-Liang Lin, Anne Akiko Meyers, Kyoko Takezawa and Chee Yun, violist Michael Tree, cellist Yo-Yo Ma, bassist Gary Karr and pianist Leon Fleisher. He has been a frequent guest artist of the Boston Chamber Music Society, Brooklyn Chamber Music Society, Chamber Music International of Dallas, Fort Worth Chamber Music Society, Da Camera of Houston, Camerata Pacifica of Los Angeles and Bargemusic in New York and performed at such festivals as Marlboro Music Festival, the Cape Cod, Tucson, Portland and Seattle Chamber Music Festivals, the Bard Festival, Bravo! Colorado, Music in the Vineyards and the Laurel Festival of the Arts, where he served as Artistic Director for ten years.
Mr. Tsang’s discography includes three concert recordings, each captured live at Jordan Hall in Boston: Beethoven: Sonatas and Variations for Cello and Piano (Artek), Brahms: Cello Sonatas and Four Hungarian Dances (Artek), and Bion Tsang & Adam Neiman: Live at Jordan Hall (BHM Media). In 2017, he released The Blue Rock Sessions (BHM Media), featuring eighteen virtuoso miniatures for cello and piano, with accompanying individual videos shot by Rodanti Films at the Blue Rock Artist Ranch and Studio in Wimberly, TX. Tsang’s latest release (2019) is Dvořák/Enescu Cello Concertos (SONY Classical) with conductor Scott Yoo and the Royal Scottish National Orchestra. Tsang is scheduled to return to Glasgow to complete a second recording with Yoo and the RSNO of the Schumann Cello Concerto and Tchaikovsky Variations on a Rococo Theme, among other works.
A versatile collaborator, Mr. Tsang was featured on the soundtrack to Recapturing Cuba: An Artists Journey, a PBS documentary by Trinity Films, winning two Gold Medals—Director’s Choice and Artistic Excellence—at the Park City Film Music Festival, coincident to the Sundance Film Festival. He was a featured guest artist on the KLRU-TV and PBS television production, A Company of Voices: Conspirare in
Concert, filmed in Dell Hall at the Long Center for the Performing Arts in Austin, and aired nationally on PBS stations during their March 2009 pledge drives. Tsang has also been featured on KLRU-TV’s In Context recorded in the Austin City Limits studio, the first time classical musicians appeared in that space. A frequent collaborator with the Hong Kong City Contemporary Dance Company, he has performed solo cello onstage alongside the dancers in productions of There, After... (Kodaly Op. 8 Solo Sonata) and Plaza X (Bach Solo Suites).
Mr. Tsang made his professional debut at age eleven in two concerts with Zubin Mehta and the New York Philharmonic. That same year he returned to perform two more concerts with Mehta and the Philharmonic. One of these performances was broadcast worldwide on the CBS Festival of Lively Arts television series. While still in his teens, he became the youngest cellist ever to receive a Gregor Piatigorsky Memorial Prize and the youngest recipient ever of an Artists International Award. He was also chosen as a Finalist of the NFAA’s Arts Recognition and Talent Search and subsequently as a Presidential Scholar in the Arts. At age nineteen, Tsang became the youngest cellist to win a prize in the VIII International Tchaikovsky Competition. He has been featured on America Online as CultureFinder’s “Star Find of the Week,” on the Internet Cello Society as “Artist of the Month,” and most recently in print in the book 21st-Century Cellists.
Born in Michigan of Chinese parents, Bion Tsang began piano studies at age six and cello at age seven. The following year, he entered The Juilliard School. Tsang received his Bachelor of Arts degree from Harvard University and his Master of Musical Arts degree from Yale University, where he studied with Aldo Parisot. His other principal cello teachers have included Ardyth Alton, Luis Garcia-Renart, William Pleeth, Channing Robbins, and Leonard Rose.
Mr. Tsang resides in Austin, TX, where he is Division Head of Strings and holds the Joe R. & Teresa Lozano Long Chair in Cello at the Sarah and Ernest Butler School of Music at The University of Texas at Austin. He was the recipient of the Texas Exes Teaching Award after just his first year of service and soon after was named “Instrumentalist of the Year” by the Austin Critics Table. He has also served as visiting professor at Indiana University in Bloomington. In his spare time, Bion helps his family run the Paul J. Tsang Foundation, a nonprofit organization named in honor of Bion's father and formed to help facilitate educational or career opportunities for promising students and professionals in the arts and sciences. Most of all, he enjoys spending time with his three children: Bailey, Henry and Maia.
Mr. Tsang plays on a Wayne Burak workbench series cello made in April 2011.
Hailed as one of today’s preeminent American classical pianists, Adam Neiman has cultivated a breathtaking career spanning more than three decades and traversing four continents. Possessed of an encyclopedic repertoire – nearly seventy piano concertos, dozens of diverse solo recital programs, and virtually the entire canon of standard chamber music – Mr. Neiman has been universally acclaimed as a thought-provoking, charismatic, and highly virtuosic performer, whose continually expanding discography has granted him a rarified legacy among 21st-century performers.
Born in 1978, Adam Neiman’s trajectory as a concert pianist began at the age of eight, immediately gaining momentum with a succession of regional and national competition triumphs, recital and concerto appearances across the United States, and successful forays onto the international concert and competition circuit by his early teens. After making his Los Angeles concerto debut at Royce Hall at age 11, Clavier Magazine wrote,"Adam Neiman gave a performance that rivaled those of many artists on the concert stage today...his playing left listeners shaking their heads in disbelief." At fourteen, he debuted in Germany at the Ivo Pogorelich Festival, and at fifteen, he won second prize at the Casagrande International Piano Competition in Italy, the youngest medalist in the competition's history. During his freshman year – as a 17-year old undergraduate piano major at the Juilliard School – Mr. Neiman won three of America’s most prestigious classical music awards: an Avery Fisher Career Grant, Gilmore Young Artist Award, and the Young Concert Artists International Auditions. Nominated during the same year for a Grammy Award, he subsequently graduated from the Juilliard School in 1999 as a recipient of the school’s highest honors: the rarely-bestowed Arthur Rubinstein Award, and as a two-time winner of its Gina Bachauer International Piano Competition.
Mr. Neiman went on to make debuts with prestigious symphony orchestras across the globe, including those of Belgrade, Chicago, Cincinnati, Dallas, Detroit, Houston, Indianapolis, Minnesota, Saint Louis, San Francisco, Slovenia, Umbria, and Utah, in addition to the Sejong Soloists, New York Chamber Symphony, and National Symphony Orchestra of Washington D.C. He collaborated with many of the world’s celebrated conductors, including David Atherton, Jiri Belohlavek, Michael Francis, Giancarlo Guerrero, Theodor Gushlbauer, Carlos Kalmer, Uros Lajovic, Yoël Levi, Andrew Litton, Rossen Milanov, Heichiro Ohyama, Peter Oundjian, Leonard Slatkin, Osmo Vänska, and Emmanuel Villaume. As a recitalist, Neiman performed in major cities and concert halls throughout North America, as well as in Italy, France, Germany, Japan, South Korea, Serbia, Slovenia, and the United Kingdom.
His 2019-2020 concert season includes recital and concerto debuts in Poland (Warsaw and Katowice) and Israel (Tel Aviv and Haifa) respectively, as well as three recording projects: a DVD on Aeolian Classics (Schubert works, including the Sonata in A Major, D. 959), a CD on Avie with violinist Frank Almond (sonatas and trios by Grieg and Maier), and a CD on Aeolian Classics with flutist Anastasiya Ganzenko (duos by Fauré and Prokofieff). During recent concert seasons (2011-2019), Neiman dedicated himself to the extensive performance and recording of three monumental solo projects: the complete Liszt Transcendental Études (2017 Aeolian Classics, DVD), Beethoven’s Hammerklavier Sonata paired with the Diabelli Variations (2018 Aeolian Classics, 2-CD set), and Rachmaninoff’s complete Preludes, Études-Tableaux, & Cinq Morceaux de Fantaisie (2018 Aeolian Classics, 3-CD set).
A sought-after chamber musician, Neiman regularly performs at festivals and chamber series across the globe. Initially a founding member of the Corinthian Trio (with violinist Stefan Milenkovich and cellist Ani Aznavoorian), Neiman later became a member of Trio Solisti for three seasons, capping his tenure with the ensemble with a presentation of the complete chamber music of Brahms at Carnegie Hall in 2015. His affiliation with Trio Solisti culminated in three critically acclaimed chamber music recordings on Bridge Records, which augmented an already extensive catalogue of recordings released on BHM, Lyric Records, MSR Classics, Naxos, Onyx, Sono Luminus, and VAI.
Mr. Neiman is an accomplished composer, with a catalogue of compositions that includes two symphonies, a piano concerto, a string quartet, and various solo and chamber works. Recent commissions include his Concerto for Piano & String Orchestra for the Manchester Music Festival, his Trio No. 2 for Clarinet, Violin, & Piano for the Northshore Music Festival, and his String Quartet for the Seattle Chamber Music Society. His various documentary film appearances as a pianist resulted in his eventual contribution as a composer to the PBSdocumentary by Emmy Award-winning director Helen Whitney entitled: “Forgiveness, A Time to Love and a Time to Hate.”
Beyond his creative activities as a pianist and composer, Mr. Neiman has achieved renown as an industry leader, pedagogue, entrepreneur, and record producer. He is currently in his fourth year as Artistic Director of the Manchester Music Festival in Vermont, which presents world-class chamber music concerts during its annual summer festival. Neiman is in his fifth year as a member of the full-time piano faculty at the Chicago College of Performing Arts at Roosevelt University, where he was also recently appointed as Director of String Chamber Music. He is CEO of Aeolian Classics, LLC, which, in addition to releasing top-tier classical music recordings, co-sponsors with Roosevelt University an annual competition: the Aeolian Classics Emerging Artist Competition. The yearly laureate of the Aeolian Classics Emerging Artist Award (currently in its fourth edition) receives a debut album on Aeolian Classics, organized and produced by Mr. Neiman.
Mr. Neiman’s studies began at the age of five – first under the guidance of his mother, then privately with Trula Whelan, Hans Boepple, and Dame Fanny Waterman, DBE. At 17 years old, Neiman entered the Juilliard School, studying principally with Herbert Stessin while also working closely with György Sandor and Jacob Lateiner. He graduated from the Juilliard School with a Bachelor of Music in Piano Performance.